Have you ever wondered about the inspiration behind some of the most iconic music videos? Nat Pearce is a visionary film enthusiast who delved into this fascinating topic with Director Ayodeji in his captivating video essay, “Pop Music: The Visual Necessity of Apparatus.” 

Pushing Boundaries: The Influence of the Horror Genre in music videos

Nat’s video essay is a fascinating visual exploration of how the horror genre pushes the boundaries of music videos. To begin with, Nat Pearce opens this topic by examining the nightmarish qualities of some of the most iconic music videos. The video essay delves into the collaboration between renowned director Chris Cunningham and iconic artists like Madonna, Bjork, and Apex. However, the main topic is an in-depth look at Director Ayodeji’s thought-provoking music video, “Underscores – spoiled little brat.” Significantly, Nat argued that these videos transcend their role as mere promotional tools. Consequently, This way of music videos transformed into powerful mediums for artistic expression.

Nat Pearce explores the horror genre in music videos in their captivating video essay, "Pop Music: The Visual Necessity of Apparatus." 
Horror Genre in Music Videos

Artistic Purity vs. the Corporate Machinery in music videos

Nat starts the video essay with the most iconic artists and high-budget production. On the other hand, there is Director Ayodeji’s indie work, “Underscores – spoiled little brat.” Firstly, it might lack the glamour of conventional music industry icons but is not short for artistic expression and creativity. Nat Pearce highlighted how Ayodeji had expanded the concept of capturing an artist’s imagery by borrowing the horror genre narrative. Subsequently, Nat explains how Ayodeji masterfully incorporated props, locations, and cinematography to highlight the contrast of life with and without stardom. Secondly, Director Ayodeji utilised a comprehensive approach and added depth and meaning to the performance and narration. Therefore, they elevated beyond the traditional music video experience and created a narrative like a reflective short film. Accordingly, Ayodeji used this narrative structure to provoke questions about shallow fame.


To summarise, Nat and Ayodeji provided first-hand insights into the intricate process of creating this music video. The findings of this video essay reveal Ayodeji’s inspirations from the horror genre while it condemns the machinery of the music industry. Therefore, this music video can be a rebellion against commercial machinery.


Invitation to Explore Possibilities of Music Videos

“Pop Music: The Visual Necessity of Apparatus,” challenges us to appreciate the artistry behind these music videos and find socio-political meaning within for instance. Above all, It’s an invitation to explore the boundaries of visual expression within the music video world. Ultimately, it proves how music videos can be enhanced by film genres and various themes.

Nat Pearce: ‘Pop Music: the visual necessity of Apparatus.’
No copyright strikes
Premiere Tuesday 2nd May 7 pm 

For horror genre enthusiasts, you can also visit Gothic Horror: symbolism, philosophy & the dark imagination

Young video essayists comment on popular audio-visual culture. Produced as part of the BA (Hons) Film and Television degree at Solent University and brought to you by Making Waves Film Festival.

If you liked reading about Horror Genre in Music Videos: “Pop Music: The Visual Necessity of Apparatus”, you can consider sharing this or visiting our social media.