Author: misterwaves

  • Making Waves No6 Cinema Takeover – a great couple of nights out!

    Making Waves No6 Cinema Takeover – a great couple of nights out!

    The Making Waves No 6 Cinema Takeover happened in Portsmouth’s famous Historic Dockyard on the 23rd and 24th of March this year! The idea of the festival was to get young people involved and to include the audience in the festivities of screening films in an immersive, community-driven way.

    The festival hosted 5 main events on Thursday, a short film competition, a networking event, and a Fashion Reimagined screening. On Friday we had the young people at motiv8 come and do a Q&A with the producer of the film County Lines, The young people of music fusion, also did a pre-screening performance before screening the film County Lines.

    The short film competition was a competition between university students who created films from 3 different universities, there were 6 different films, 2 from each university; the University of Portsmouth, Southampton’s Solent University and The University of Winchester, the films shown were as follows; Project 2, The Callback, Blitz, The Julie Tapes, Hannah and Where Did We Park? The award for Best Film went to the Callback and the audience award went to Where did we Park? Each production team was given a unique handmade whale tale statue crafted by local artist James Waterfield and a £75 Pizza Express voucher.

    The event was really inviting and there was a real sense of togetherness throughout the showing, people had drinks, and chats before the screening started, which was a really nice atmosphere. Something that gave the event incentive and excitement about who would win, was the awards which were sat at the front on the stage through the screening and at the end, the audience was able to participate by using a QR code to vote for their favourite!

    After coming out of the screening, there was a networking event at the bar sponsored by Millstream Productions, with loads of tables laid out with sandwiches and little snacks, and everyone was mingling, it was a great chance to meet people both from the city of Portsmouth and outside of the city, there were quite a few students from Winchester there, as well as people who had come for the screening of Fashion Reimagined, overall the networking event hosted a great intersection between the competition and the film.

    Entering into Fashion Reimagined, you gave your ticket to the lovely ladies at No. 6 and you were brought into the screening of the film. The film focused on two ladies who worked for a fashion company on a mission to become more sustainable and took us through the process of how our clothes are made. They visited different countries where the manufacturers were located in hopes to find a company that is completely sustainable.

    Throughout the film, it shows their struggles to find this method of production and their successes. After the film, there was a bit more mingling in the bar, and a lot of discussion about whether or not people would take the sustainability pledge promoted by the film, until it was inevitably time to go home.

    On Friday the night started off with being greeted at the door by the young people from Motiv8, a charity based in Portsmouth that supports at-risk youth and raises awareness about the trouble they could fall into, especially in the city. We were given cups of sweets and welcomed into the bar to take a seat ready to watch the Q&A. Megan and Rebecca from Motiv8 interviewed David Broder, the Producer of County Lines (2019), and Matt Blessed, a music leader at Music Fusion, a music-based charity for at-risk youth in Portsmouth.

    After the Q&A, we all headed into the theatre where we saw performances from Matt Blessed, Kizz and Cam, 3 artists from Music Fusion, in front of the screen, before the film was shown. Everyone was excited after the music, then the lights were shut off, and the film started! County Lines is a film about a 14-year-old boy called Tyler, whose family is struggling for money, and he gets mixed up in the wrong crowd. The film raises awareness about how dangerous county lines gangs are in cities, and how easily they can be avoided. It is a very hard-hitting film, which really resonates, and was a great way to finish the festival.

    Making Waves Film Festival 2023 was a great way to get the young people involved, and bring people together for a great couple of nights out at the cinema! The audience and everyone who was involved in helping make this happen truly deserves a massive thanks for making this year great! Here’s to next year being equally as great!

    By Amelie Harvey

    MWFF Take Over at No6 Cinema Sponsors Logos vr1 RECTANGLE
  • County Lines – a true story of gangs turning children into drug mules

    County Lines – a true story of gangs turning children into drug mules

    Writer-director Henry Blake’s powerful feature debut County Lines boasts a compelling central performance by Conrad Khan as 14-year-old Tyler, whose mum Toni (Ashley Madekwe) is struggling to provide for him and his sister. Excluded from school, Tyler becomes a train-bound narcotics courier for local criminal Simon, played with a calm menace by Harris Dickinson.

    This film depicts the ensuing cycle of debt, deceit and violent exploitation with a quiet stylistic confidence that’s all the more haunting for being so rigorously unsentimental.

    “The filmmaking is so sharp… I was hooked… The acting is superb” – Charlotte O’Sullivan, Evening Standard

    County lines is a term that refers to the grooming, exploitation and trafficking of children as drug mules across the country and Blake’s incredible story is inspired by his own experiences working with young people just like Tyler. For over a decade, he’s worked with vulnerable children aged between 8 and 18, and through that work he was transferred to a facility for kids who were being exploited and trafficked via county lines criminal networks.

    County Lines follows in the wake of outstanding British social realism and Henry Blake is sure to be discussed alongside directors like Ken Loach, Basil Dearden and Alan Clarke for his unflinching portrait ripped straight from the headlines.

    “This is brute social realism with a thriller’s ticking clock: The tension is not over what will happen but when, and how fatal the fallout will be.” Guy Lodge, Variety

    County Lines is showing at the No. 6 Cinema on Thursday 24th March. This community-curated screening by young people from Motiv8 includes a performance by DJs and rappers from Music Fusion and a Q&A with the film’s producer David Broder in the bar before the film.

    Tickets are available here.

  • Fashion Reimagined – A mission for sustainability

    Fashion Reimagined – A mission for sustainability

    “Buy less, choose well, make it last” – Vivienne Westwood

    Director Becky Hutner channels the iconic late fashion designer Vivien Westwood in her first feature Fashion Reimagined. The documentary follows like-minded designer Amy Powney of cult label Mother of Pearl, who embarks on a three-year journey to create a sustainable clothing collection.

    Raised off-the-grid in rural England by anti-fracking activist parents, Amy has always felt uneasy about the devastating environmental impact of her industry. When she wins the coveted Vogue award for the Best Young Designer of the Year, Amy decides to use the prize money to create a brand-new collection focused on sustainability – from field to finished garment – and transform her entire business and the way we engage with fashion.

    “Beautiful, informative, shocking and inspiring… Amy Powney is a heroine” Lisa Armstrong, The Daily Telegraph

    Fashion Reimagined tracks Amy’s journey from an outsider of the fashion world, to an industry leader as she examines the complexities and waste of the global supply chain, whilst her own personal revolution becomes the precursor of a much more significant societal change.

    Amy’s label Mother of Peal has committed wholeheartedly to sustainability since the success of their 2018 ‘No Frills’ collection; all that they’ve learned about the garment-making process and its untenable impact on the Earth has influenced how they operate their business from the production line to their head office.

    If you’d like to learn more about the impact of fast and unsustainable fashion on the worsening climate disaster, see here for a breakdown of why affordable fashion is costing us the Earth.

    “This film will shock you, inspire you – and charm you. A must-watch not just for the fashion industry but for everyone who wears clothes” Jess Cartner-Morley, Associate Editor (Fashion), The Guardian

    Fashion Reimagined is showing at the No. 6 Cinema on Thursday 23rd March.

    Tickets are available here.

  • Immersive Cinema and A Future Beyond Belief: Inside the Creative Producer’s Hub

    Immersive Cinema and A Future Beyond Belief: Inside the Creative Producer’s Hub

    As many fellow cinema-goers fear, the future of cinemas in today’s era of streaming service giants appears uncertain. Still, hope clings on that going to the cinema doesn’t have an expiry date any time soon. The good news is that a cinema crisis isn’t near and there is so much to look forward to. At the “Wave Makers Creative Producers Lab: What is the Future of the Cinema?” event at the University of Portsmouth on 18 February, the potential for immersive cinema to be part of that ongoing success was put to the test.

    The Creative Producers Lab had a successful turnout and opened with attendees engaging in workshops that explored event marketing, event management and community & live cinema programming. The event marketing lab, hosted by Bill Sainsbury of Making Waves Film Festival and Malisa Chafer of No.6 Cinema, covered the basics of marketing film events and introduced some key marketing principles such as AIDA (Attention, Interest, Desire and Action) and the marketing 5 P’s.

    Community and Live Cinema Programming, hosted by Neil Ramjee of BFI Film Hub SW, covered how to build an audience and gave an outline of what is considered to be ‘best practice’. A pivotal topic covered in the lab was considering how to host an event that honours accessibility, especially for those with particular needs and those who live with neurodiversity. The session explored how cinema experiences affect these groups of individuals and how they function at a cinema event like this when there are overwhelming stimuli such as flashing lights and loud volume that can startle those with sensory issues.

    Event Management looked in detail at one of the most exciting aspects of the day’s topic: the experience, planning and management of an immersive event. Dividing the planning between two teams and taking the 1973 release That Will Be The Day; one team explored the environment and more logistic side of the event whilst the other built a story around the immersive cinema experience that would take the audience on an adventure. The session ended with a call by the organisers to put this show on in Portsmouth and everyone seemed keen to be involved.

    The afternoon panel session featured an impressive array of speakers on the topic of live and event cinema. As the director of Compass Presents, Tara Sachedeva, and Creative Producer of Creative Giants Arts, Charlotte March, explained in their panel presentations, immersive cinema is becoming more popular and intriguing than ever before.  Immersive Cinema takes cinema and makes it into a live, engaging, sensory experience that brings audiences in to feel a film in a way that brings them in further than ever before. At events like those staged by Secret Cinema, films like Singing in the Rain, Wes Anderson Films and vintage films like Grease can become alive in the most indulging manner that could be imagined.

    In Portsmouth, this magic is being bought into our city through local organisations like DVMISSION and No.6 Cinema. No.6 Cinema’s arthouse and niche cinema picks are accompanied, at times, by their creative volunteers’ ideas through costume, and decor all adding to the atmosphere of the experience. DVMISSION, the riveting, annual 48-hour-filmmaking festival has for many years been adding immersive performances into their screening ceremonies. Last year, they had zombie-like performers creeping around the venue and plus a remarkable puppet that dominated the entire show.

    Whilst DVMISSION and No.6 Cinema bring their experiences alive on a smaller budget, Charlotte explained during her panel presentation that the giant, mega-millions shows she works in are becoming more expensive to stage as they become more popular and less niche. Venues are charging more for rent as they are becoming aware of how much these shows make. And with the cost of living crisis ongoing, attending these kinds of shows is becoming as expensive as going on a holiday.

    Even with its’ difficulties, the immersive cinema industry has a massive amount of potential to broaden its activities across the UK in all shapes and forms. For example, neurodiverse screenings can grant accessibility to neurodiverse individuals who want to be able to go to the cinema and be able to be themselves without being frowned upon. BFI Film Hub Southwest Community Manger Neil Ramjee told us that:

    “With screenings aimed for neurodiverse adults in the last couple of years, the majority of the films shown have been made for children. Whilst all neurodiverse people operate on a degree of levels, neurodiverse people have astounding abilities and remarkable skills and are entitled to have an accessible cinema experience rather than have to stay home because they are ‘too disruptive’ to go to the cinema.”

    Neil Ramjee, Community Manager, Film Hub Southwest

    Neurodiverse screening entails individuals being able to stim, tic and move around without receiving complaints. These screenings take into account sensory issues and play no ads at the beginning of the film. Some organisations also have begun posting photos online of every seat in their theatre to help neurodivergent audiences know what their seat will look like before going to a show, what their view will be and give them ease.

    The future of cinema is immersive and accessible. But with all the ideas and possibilities in front of us, is the classic cinema included in these plans? Well, if the future is accessible, surely, it must be.

    By Kearin Green, 19th February 2023

  • What is the future for the cinema experience?

    What is the future for the cinema experience?

    Join this WAVE MAKERS CREATIVE PRODUCERS LAB, a one day event at the University of Portsmouth with speakers from the world of cinema exhibition asking if live cinema is the way forward for the cinema experience. Supported by BFI Film Hub SW, the day will include practical sessions on how to run a successful event.

    Are you a cinema fan looking to experience film exhibition in exciting new ways?
    Or are you an event producer looking for new opportunities to curate and create innovative cinema experiences?
    Then this may be the event for you!

    Why ask this question now?

    The landscape of cinema exhibition has changed over the last few years, in part due to the pandemic which understandably saw a shift towards consumption of streaming content and a general change in audience behaviour. But there has also been a move away from ‘theatrical windows’ for the release of feature films reflecting a challenging new marketplace with the rise of the digital disruptors Netflix, Amazon, Disney+ and others. The collapse of the DVD market this has brought about has put further pressure on distributors to seek out new models for exhibition and audience engagement.

    On the other hand, there have been a number of success stories for live, event, immersive and expanded cinema. From 2019 onward the expansion of large-scale immersive cinema experiences led to a widespread recognition for live cinema as an exciting new opportunity for cinema exhibition. Organisations such as Secret Cinema have led the way in moving live cinema from the margins to the mainstream. Putting live and event cinema at the forefront of the newly emergent experience economy.

    Is live cinema the way forward for innovative curation of the cinema experience?

    This one day event is going to ask this very question with speakers from the world of cinema who are curating and creating events that offer new ways to experience cinema.

    During the morning workshops you can build your personal skills in event management, exhibition marketing and community cinema programming. Aimed at anyone with an interest in putting on their own live cinema events these sessions will be hands-on and practical.

    Then in the afternoon there will be an opportunity to share in the wisdom of people expert in the field of cinema exhibition including: Tara Sachdeva (Compass Presents), Charlotte March (Creative Giants Art), Malisa Chafer (No6 Cinema) and Roy Hanney (MWFF). A series of short talks by each of our speakers followed by a Q&A, the session will ask the question: what is the future of the cinema experience.

    Programme

    09:30-10:00 Registration

    10:00-12:00 Parallel Workshops (chose from one of three sessions)

    • Session A: Event Management with Roy Hanney (MWFF) & Ajay Parakeh (Kabuki Productions)
    • Session B: Event Marketing with Bill Sainsbury (MWFF) & Malisa Chafer (No6 Cinema)
    • Session C: Community & Live Cinema Programming with Neil Ramjee (BFI Film Hub SW) & Yael Freidman (University of Portsmouth)

    12:00-13:00 Lunch

    13:00-14:30 Panel Presentations and Q&A

    • Roy Hanney – Creative Director, Making Waves Film Festival

    Where & When

    Date: 10-14:30 Saturday 18th February 2023

    Location: Eldon Building, Middle Street, CCI, University of Portsmouth, Portsmouth, PO1 2DJ

    Tickets: free but must be booked in advance 

    Supported by Making Waves Film Festival, University of Portsmouth, and Film Hub SW, funded by the BFI Film Audience Network.

  • Southsea Community Cinema and Art Centre: a new space for cinephiles in Portsmouth

    Southsea Community Cinema and Art Centre: a new space for cinephiles in Portsmouth

    The opening of the Southsea Community Cinema and Arts Centre (SCCAC) has for many creatives and students in the Portsmouth area answered the question of whether Portsmouth is a hub for creativity. This vital new centre has opened in the heart of the city, offering a space for local cinephiles and filmmakers to get together, network and share their passion for film.

    For the founders of the Southsea Cinema Community and Art Centre, Aysegul Epengin and Simon Knight, this was a prominent factor in founding Palmerston road’s latest treasure.  “When I came to Portsmouth”, Epengin says, “there was no art cinema around. I’m a filmmaker and I wanted to have somewhere around to go see foreign cinema and arthouse films like how I used to back when I was living in Istanbul. Whilst I was teaching, my students asked me, as well, where they could go watch these kinds of films in the area; with not a lot being available. And, suddenly, I was inspired to start up a film exhibition”.

    The multi-purpose centre has been a gracious gift to Southsea over the last year since its official opening in May. The cinema itself is a 35 seater and has already shown recent phenomenons like Everything Everywhere All At Once to classic arthouse films like Eraserhead and foreign language gems like Loro. 

    The cinema itself is the definition of cosy; almost acting as an intimate affair with the film itself being shown at the centre. When a screening is popular and sold out, the magic of the small cinema unites a room of film lovers to embark on a unique journey in watching the same film that can’t always be experienced in the same way in a large, commercial cinema. And when it’s a quieter screening, it is like watching a film in the comfort of your home yet with a sense of luxury.

    The Southsea Community Cinema and Arts Centre considers itself a multi-purpose centre, proud of its city centred-location, offering its spaces out to anyone wanting to have a private screening for their exclusive group or looking for somewhere to host an open mic, for example. Another massive attribute of the centre that makes it so attractive to the public is one of its pillars of inclusivity. “We have lots of elderly people coming in for certain events-and they’re just dancing in the middle of the room saying: this is amazing. I don’t need to go far to watch a film or have some entertainment. I can just come here. They don’t want to travel far at night to have a nice time”. The centre also has specific workshops and sessions aimed at those with learning disabilities, matinee shows aimed at parents with young children or babies and is accessible to wheelchair users and those with physical disabilities; with the main area being on the ground floor and not designed with the typical cinema staircase but one that everyone is welcome. 

    In the wake of their success, the cinema is clearly an antidote to Portsmouth’s lack of exposure to film and cinema culture. However, both Epengin and Knight agree that Portsmouth still has so much potential when it comes to cinema exhibition. 

     “I think it needs more exposure to the arts in general”, Knight says, “the council gets into these kinds of things and gets behind them because this is where new things happen and gives people a place to connect.” But overall, as all things go, it comes down to the community to spread the word and contribute to this exposure of the arts, something that the centre has had its’ ups and downs with achieving, for example, getting a spotlight on local radio stations. “People often talk about supporting community a lot, but to actually support it, is a whole different ball game”. 

    This is specifically vital when it comes to meeting the cinema’s goals for the upcoming year. The centre is currently volunteer-run and reliant on funders. “We want to become more sustainable at some stage we need to make a profit. We’d like to eventually be able to hire people and make this into a business. And we need community engagement to count on this happening”. 

    Everyone who attends the cinema regularly for either film viewings, workshops or whatever wonders the Southsea Community Cinema and Art Centre has to offer understands and cherishes the value that the centre has given it. Hopefully, the community will get behind this venture and ensure it becomes a permanent fixture of the city’s cultural offer.

    By Kearin Green

  • Inner workings: psychological conflict in short films

    Inner workings: psychological conflict in short films

    How is psychological conflict explored in the short film form? George Onslow takes a closer look at the “Inner Workings” (2016) Disney Pixar short, picking apart the creative choices the creators made and how they represent the protagonist’s inner battles and conflict.

    Young video essayists comment on popular audio-visual culture. Produced as part of the BA (Hons) Film and Television degree at Solent University and brought to you by Making Waves Film Festival.

    Released 16:00 Thurs 20th Oct 2022

  • Fashion in the short film: brand and identity

    Fashion in the short film: brand and identity

    Characterisation is an increasingly important aspect of the fashion film – it allows a brand to push forward its identity and image. In this video essay, Harrison Armstrong focuses on the “short fashion film”, analysing how characterisation functions within a narrative to communicate brand identity.

    Young video essayists comment on popular audio-visual culture. Produced as part of the BA (Hons) Film and Television degree at Solent University and brought to you by Making Waves Film Festival.

    Released Tues 16:00 18th Oct 2022

  • Contemporary socio-political ideologies in the short film

    Contemporary socio-political ideologies in the short film

    Animated films have historically been dismissed as merely children-only entertainment. Fortunately, audiences nowadays are savvier and understand its cultural significance. In this video essay, Jake Cooper looks closer at “Happiness” (2017), and how the director Steve Cutts uses the form to convey contemporary socio-political ideologies.

    Young video essayists comment on popular audio-visual culture. Produced as part of the BA (Hons) Film and Television degree at Solent University and brought to you by Making Waves Film Festival.

    Released Thurs 16:00 13th Oct 2022

  • Storytelling for suspense in short horror films

    Horror short films are a popular format and have cultivated an engaged audience through the years on online platforms such as YouTube. In this video essay, Sarah Perennou looks closer at David F. Sandberg’s short “Not Alone in Here” to shed some light on storytelling techniques used to build tension and create suspense in short films.

    Young video essayists comment on popular audio-visual culture. Produced as part of the BA (Hons) Film and Television degree at Solent University and brought to you by Making Waves Film Festival.

    Released Tues 16:00 11th Oct 2022